Hamilton Dramaturgy's TheatreNow!


THE DRAMATIST Magazine – Quiara Alegria Hudes on Subject

THE DRAMATIST - Quiara Alegria Hudes on Subject

Congratulations to Hamilton Dramaturgy’s TheatreNow!’s Inaugural Podcast guest Quiara Alegria Hudes. She leads off the cover story of this month’s THE DRAMATIST magazine with an article on “Subject”.

Advertisements


TheatreNow! Expands in 2013

2013 was a year in which I worked on building TheatreNow!’s platform.

We have expanded internationally as well as in the U.S., and now have Representatives for many areas:

US Representative: Cate Cammarata
Asia Representative: Walter Byongsok Chon
UK Representative: Natalie Pandya
South America Representative: Thais Flaitt
Young Audience Development Representative: Danica Rodriguez

In April, Natalie, a recent Oxford University graduate (St. Catherine’s College), corresponded with leading UK universities and conservatories about the podcast, laying the groundwork for greater dissemination there. Natalie now works for the BBC.

During the summer, Danica, a rising senior at the prestigious Little Red School House and Elisabeth Irwin High School in Manhattan, created a proposal for introducing the podcast to young adults and theatre aficionados.

In December, I invited Thais Flaitt, a recent M.A. graduate of the University of Nebraska Omaha, to serve as our South America representative. A native of Brazil, Thais is a skilled scholar, director, and translator.

Several hundred people have listened to the audio postings on the Soundcloud site. In addition, the TheatreNow! blog (https://theatrenow.wordpress.com) drew visitors from 57 countries, and the top podcasts viewed were with Paule Constable and Jennifer Tipton, lighting designers.

The TheatreNow! website (http://hamiltondramaturgystheatrenow.com) continues to attract many visitors. Helaine Gawlica’s design and archiving expertise show off the podcasts well.

2014 will bring an expansion of the program, and a posting of new podcasts, including Maria Alexandria Beech, Murielle Borst Tarrant, and Judith Malina, to complete Season Three.

Thank you for all your support and I am looking forward to expanding the program in 2014.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.



LPTW’s TheatreNow! Webpage

Many thanks to the League of Professional Theatre Women, which has given TheatreNow! its own webpage at https://theatrewomen.org/theatrenow-podcasts. Read how my membership in the League influenced my creation of the podcast series. The League is the nation’s premiere professional organization for women working in all aspects of the theatre.

LPTW and TheatreNow!

I conceived of TheatreNow! in 2009 while serving as the Co-Secretary of the League of Professional Theatre Women. I was so excited to attend meetings and converse with terrific theatre artists and learn about their experience and new projects. I started to think about how wonderful it would be to record these conversations and share them with the public in order to preserve important events in contemporary American theatre history.

So I decided to download some free recording software and use available resources on the internet to record some interviews. I happened to meet Quiara Alegría Hudes’ mother, and asked for her daughter’s contact information. Quiara was happy to give me an interview, and so, TheatreNow! was launched. I followed the inaugural podcast with interviews with women whose careers I felt were interesting and important.

I made sure to include women from many different disciplines, and even now I actively seek out women of different races, nationalities and professions in order to give a balanced and inclusive sampling of contemporary theatre practice.

And so, TheatreNow! grew from one half-hour recording to a series with a new website at http://hamiltondramaturgystheatrenow.com, an Archivist – the marvelous Helaine Gawlica, a staff of Program Assistants, and a theme composed by my Co-Secretary Nancy Ford. The series is posted on soundcloud.com, and is very easy to download and share.

In Season Two I began to post transcripts of the interviews for the public’s convenience. AMERICAN THEATRE published a two-page article on the series in its October 2012 issue.

I am now planning my fourth season, and rest assured, it will continue to feature League members, and women whom the League has honored with prizes for their contribution to American theatre.

Anne Hamilton, Producer and Host
Hamilton Dramaturgy’s TheatreNow!
Email: hamiltondramaturgystheatrenow@gmail.com
www.hamiltonlit.com

TheatreNow! Podcasts With League Members:
Kristin Marting
Valentina Fratti
Yvette Heyliger

Please download the article here: LPTW and TheatreNow! by Anne Hamilton

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.



TheatreNow! Article in AMERICAN THEATRE

Many thanks to  AMERICAN THEATRE magazine (October 2012 – Theatre Communications Group) for publishing a 2-page article on TheatreNow! Margot Melcon wrote an informative and thorough piece on TheatreNow!’s origins, and place in the contemporary gender parity movement.

Download the article here: AMERICAN THEATRE article on TheatreNow! by Margot Melcon (October 2012)

“There’s been a lot of discussion over the past few years about women’s voices being underrepresented in the theatre—there aren’t enough female playwrights being produced, not enough women in executive positions in regional theatres, not enough female directors or roles for female actors. And not enough women speak out as informed, educated, experienced and qualified representatives in the field. Though there has been a flood of discussion about gender disparity, talking doesn’t always lead to action.

But Anne Hamilton isn’t just talking. In response to the acknowledged under-representation that leads to so much frustration, the New York City–based freelance dramaturg, script consultant and playwright has offered up a solution…”

http://hamiltondramaturgystheatrenow.com



Quiara Alegria Hudes Wins Pulitzer Prize

Congratulations to Quiara Alegria Hudes, who has won the 2012 Pulitzer Prize for Drama. She served as our guest for the inaugural podcast for Hamilton Dramaturgy’s TheatreNow!

The Pulitzer Prize in Drama is given for a distinguished play by an American author, preferably original in its source and dealing with American life. The award is for WATER BY THE SPOONFUL, an imaginative play about the search for meaning by a returning Iraq war veteran working in a sandwich shop in his hometown of Philadelphia.

Congratulations, Quiara.

Please listen to Quiara speak about her early artistic influences and her artistic process here: Hamilton Dramaturgy’s TheatreNow! Inaugural Podcast with Quiara Alegria Hudes.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.



A Message from Quiara Alegria Hudes

Here is some great news from Quiara Alegria Hudes, TheatreNow!’s first guest artist.

Dear friends and colleagues,

In 2006, my play (and proudest piece of writing) Elliot, A Soldier’s Fugue, was produced in New York, directed by Davis McCallum and featuring the outstanding Armando Riesco as Elliot and Zabryna Guevara as Ginny.

The story now continues with the second play in this triolgy. Please join me at Hartford Stage Company in Connecticut for the world premiere of Water By the Spoonful, part two of Elliot’s journey. The role of Elliot will once again be played by Riesco, and Guevara returns, this time as Ginny’s niece, Yazmin. Davis McCallum’s directing looks to be even more engrossing and exciting than last time.

Water By the Spoonful is about addiction, recovery, adoption, and choosing your adult path, all set to John Coltrane’s jazz. It is a large, sprawling piece of work set in Japan, Philly, San Diego, and Puerto Rico. I am very proud of this one.

Here are the details:

Water By the Spoonful

by Quiara Alegría Hudes

directed by Davis McCallum

Hartford Stage Company

October 20-November 13

Featuring Matthew Boston, Liza Colon-Zayas, Demosthenes Chrysan, Zabryna Guevara, Teresa Lim, Armando Riesco, and Ray Anthony Thomas.

For tickets and the performance schedule visit the Hartford Stage Company’s website here. For travel, both the Amtrak Hartford Station and the Megabus Hartford Stations are close to the theater.

Thanks, and I hope to see you there,

Quiara



Hamilton Dramaturgy’s TheatreNow!

Thank you so much for your interest in TheatreNow!

On TheatreNow! I interview important contemporary female theatre artists, and I would like to make this series a seminal program that people from all over the world will listen to in the years to come. The podcasts  are also posted on my blog at http://hamiltondramaturgy.wordpress.com

TheatreNow! creates an online presence and library of female theatre experts’ ideas and opinions. I serve as Producer and Host, and Linsey Bostwick serves as Editor.

I’ve already posted conversations with: Quiara Alegria Hudes (playwright/librettist); Kristin Marting (director/artistic director); Claire Lautier (actor); Valentina Fratti (director/playwright); Ruth Margraff (musician/composer/writer); Yvette Heyliger (playwright) and Yvonne Farrow (actor/choralographer).

Others who have agreed to appear: Lynn Nottage (Pulitzer Prize winning playwright), Danai Guriri (actor/playwright), Laura Maria Censabella (playwright), Kamilah Forbes (writer/producer/curator), Alexandra Maria Beech (playwright)  and Anne Kauffman (director).

Rather than be a series focusing on biographical details, I conduct the interviews in such a way as to focus on each woman’s early artistic influences, her own assessment of her contribution to the professional theatre, and her artistic process. I also plan to post a written bio (also in digital form) from each subject on my blog http://hamiltondramaturgy.wordpress. com near the podcast.

I am very excited to create a lasting and seminal podcast series which ensure that women theatre artists can reveal and discuss their creative processes and influences.

Sincerely, Anne Hamilton – Producer and Host