Filed under: Anne Hamilton, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, Kristin Marting, Season One, TheatreNow! Artists | Tags: Anne Hamilton, Artistic Director, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, Here, Kristin Marting, League of Professional Theatre Women, NYC Theatre, Season One, TheatreNow! Artists, Women Theatre Artists, www.hamiltonlit.com
TheatreNow! guest Kristin Marting has done it again at HERE. The Prototype Festival became an instant classic two years ago, and the annual event will end next week. Get your tickets now!
PROTOTYPE OPERA / THEATRE / NOW
PROTOTYPE is the premier festival of opera-theatre and music-theatre. January 8–17, 2015
– See more at: http://prototypefestival.org/#sthash.SnmlXqei.dpuf
PROTOTYPE: Opera/Theatre/Now is the premier global festival of opera-theatre and music-theatre in New York City, co-produced by Beth Morrison Projects and HERE.
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
– See more at: http://prototypefestival.org/#sthash.SnmlXqei.dpuf
Filed under: Anne Hamilton, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, Murielle Borst Tarrant, Season Three, TheatreNow! Artists | Tags: #genderparity, #LaMaMaETC, #theatrenow!, Anne Hamilton, Director, DON'T FEED THE INDIANS, Dramaturg, Film, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, LaMaMa, Murielle Borst Tarrant, Native American Plays, Native American Theatre, NYC Theatre, Playwright, Season Three, Women Theatre Artists, Workshops, www.hamiltonlit.com
Murielle Borst Tarrant
La MaMa in New York City presented the Urban Indigenous Arts & Culture Symposium performance of DON’T FEED THE INDIANS – A DIVINE COMEDY PAGEANT livestreaming from CultureHub on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday November 14.
Murielle Borst Tarrant spoke about creating this pieces as a guest of TheatreNow (Season Three). Here is the transcript of our discussion: Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant.
WATCH THE VIDEO HERE: http://youtu.be/41Vj9u0Ig-M
Filed under: Anne Hamilton, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, Murielle Borst Tarrant, Season Three, TheatreNow! Artists | Tags: #theatrenow!, Anne Hamilton, LaMaMa, Murielle Borst Tarrant, Native American Plays, Native American Theatre, NYC, NYC Theatre, Season Three
La MaMa Presents Urban Indigenous Arts & Culture Symposium
“Don’t Feed the Indians” –
A Divine Comedy Pageant
Friday November 14, 2014 at 1:00 PM
To see this performance Live on your computer
CLICK HERE: www.culturehub.org/live
Please stay tuned afterward with a discussion with the cast
Watch out when Indian show business meets the Doctrine of Discovery. A raucous play and political satire loosely based on Dante’s Inferno. A comedic look at the negative marginalization of Indigenous Peoples and the appropriation of Indigenous cultural and intellectual property. See what happens when the Indians push back.
Directed and written by:
Murielle Borst-Tarrant (Kuna/Rappahannock), Director “Safe Harbors”
Indigenous Arts/Theater Collective at La MaMa Theatre.
Cast:
Danielle Soames
(Mohawk Kahnawake)
Nic Billey
(Choctaw, Creek, Delaware)
Elizabeth Rolston
(Cherokee, Chippewa)
Murielle Borst-Tarrant
(Kuna Rappahanock)
Henu Josephine Tarrant
(Kuna, Rappahanock, Hopi, Hochunk)
Kevin Tarrant
(Hopi, Hochunk)
Crew:
Choreographer – Nic Billey
Musical Design- Branden Tubby (Choctaw )
Scribe and Production Consultant- Timothy Dorsey
Musical Director- Kevin Tarrant
Costume/set design- Maggie Rice (Pawnee)
Piano and Historical Musical Design- Elizabeth Thunder Bird Haile (Shinnecock) and The Shinnecock Nation Cultural Center and Museum
Production Apprentice- Kimberly Terrance (Mohawk Akwesasne)
Additional Writings:
Danielle Soames
Nic Billey
Henu Josephine Tarrant
Elizabeth Rolston
Tonya Gonnella Frichner based on her preliminary report on the Doctrine of Discovery
La MaMa Theatre in collaboration with the Weesageechak Begins to Dance Festival, Native Earth Performing Arts and First Peoples Fund and the Ford Foundation through a grant from the FPF Our Nations Spaces Program.
Filed under: Anne Hamilton, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, Murielle Borst Tarrant, Season Three, TheatreNow! Artists | Tags: #theatrenow!, Anne Hamilton, Director, Dramaturg, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, Indigenous Peoples, La MaMa ETC, Native American Plays, New work, NYC Theatre, Playwri, Producer, Season Three, Spiderwoman Theater, TheatreNow! Artists, Women Theatre Artists, www.hamiltonlit.com
Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com
Hamilton Dramaturgy’s TheatreNow!
Interview with Murielle Borst Tarrant
Playwright, Director and Producer
(Season 3, Episode 5, Recorded July 12, 2012)
Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant
Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.
Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.
Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.
Filed under: Fran Tarr, Hamilton Dramaturgy's TheatreNow!, Season Two, TheatreNow! Artists | Tags: Anne Hamilton, breaking walls, EstroGenius Festival, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, International Theatre, New work, NYC, NYC Theatre, Season Two, TheatreNow! Artists, Women Theatre Artists, www.hamiltonlit.com
Congratulations to TheatreNow! guest Fran Tarr, who continues to create theatre all over the world. She has just returned from a working trip to South Africa. A theatre piece written by her young female collaborators with will appear in the EstroGenius Festival this month.
A message from Fran Tarr:
Our Young Women Artists & The EstroGenius Play Festival
An amazing opportunity to showcase the writing and performing talents of our young breaking walls women is happening at the renowned EstroGenius Play Festival on October 31st from 7:00pm to 8:30pm!!!
WOMEN SPEAK/WORLD LISTEN is a one-night theater event written by our young breaking walls women from Brooklyn, Bethlehem, Berlin and Cape Town and will be performed by Helen Beyene, Sofie Walker, Lexie Tompkins, Geri Nikole Love, Maggie Borlando and Margy Love under the direction of Chivonne Michelle.
All proceeds will support our breaking walls 2015 Barcelona initiative – so bring a friend or two, and if you will not be able to join us, please consider making a contribution via EventBrite. Tickets are $25.00 online and $30 (cash only) at the door.
Filed under: Anne Hamilton, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, Season Four, Season Three, TheatreNow! Artists | Tags: #theatrenow!, Anne Hamilton, Cate Cammarata, Cultural Critic, Danica Rodriguez, Dramaturg, Flaitt Giannoccaro, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, https://soundcloud.com/theatrenow-1, Nancy Ford, Natalie Pandya, Otto Bost, South America, Theatre Critic, TheatreNow! Artists, Walter Byongsok Chon, Women Theatre Artists, www.hamiltonlit.com
The TheatreNow! Archive is currently a work-in-progress and will feature all the Season Three’s podcasts in the upcoming month.
2014 has been a building year. We have expanded our staff with the addition of Danica Rodriguez and Thais Flaitt Giannoccaro. Our global outreach has increased with representatives in the US, UK, Asia, and South America, and we have plans to translate our interviews into Korean and Portuguese. We also have a Young Adult Representative to help us build more interest in the theatre profession, especially among young women.
Season Four will be dedicated to creating an oral history of six leading dramaturgs and theatre critics active on the American scene, with specialties in new play development, new musical development, dance, opera, women’s studies, journalism, and cultural criticism . In the interviews, I will explore questions such as: How can we take advantage of advances in technology to push the dramaturgical profession forward? How have others done so? Do leading practitioners in the arts of dramaturgy and theatre criticism have anything in common? What is it? How can I expand my own practice to become an independent curator, journalist and advocate in a meaningful way? How can I advance the gender parity movement among theatre artists? How can I add content to the current movement for archiving theatre artists’ and companies’ works? How can I help the public to meet and recognize female theatrical experts across all disciplines? And, How can I use my dramaturgical skills and access to help young adults become interested in pursuing any of the theatrical professions?
Staff List
Anne Hamilton, Producer and Host
Otto Bost, Sound Designer
Cate Cammarata, US Representative
Walter Byongsok Chon, Asia Representative
Natalie Pandya, UK Representative
Danica Rodriguez, Young Adult Representative
Thais Flaitt Giannoccaro, South America Representative
Nancy Ford, Composer, TheatreNow! Theme
Helaine, Digital Archivist and Website Creator
http://hamiltondramaturgystheatrenow.com
https://soundcloud.com/theatrenow-1
Filed under: Anne Hamilton, Fractured Atlas, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, TheatreNow! Artists | Tags: 21st Century Freelance Dramaturgy, Anne Hamilton, Dramaturg, Freelance Dramaturg, Gender Parity, Global Dramaturgy, Hamilton Dramaturgy, Hamilton Dramaturgy's TheatreNow!, hamiltondramaturgystheatrenow.com, Magda Romanska, THE ROUTLEDGE COMPANION TO DRAMATURGY, TheatreNow! Artists, Walter Byongsok Chon, www.hamiltonlit.com
I am thrilled to announce the publication of my article, “Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators” in the ROUTLEDGE COMPANION TO DRAMATURGY (ISBN: 978-0-415-65849-2,published on July 29, 2014), edited by Magda Romanska. My chapter is the only one on freelance dramaturgy in the book.
The article details the creation and development of Hamilton Dramaturgy’s TheatreNow!, as well as other tools I have used to utilize technology, cultural interconnectedness, and entrepreneurship to expand the role of the dramaturg in the 21st century.
It appears as the 18th chapter of the book, in the Age of Globalization section. TheatreNow’s Asia Representative Walter Byongsok Chon also contributed a chapter in the same section, entitled, “Intercultural dramaturgy: dramaturg as cultural liaison”.
The volume is available at: http://www.routledge.com/books/details/9780415658492/?utm_source=cms&utm_medium=url&utm_campaign=SBU4_SJC_3RF_8cm_9PER_00000_HBK
