Hamilton Dramaturgy's TheatreNow!


DON’T FEED THE INDIANS on youtube

Murielle Borst TarrantMurielle Borst Tarrant

La MaMa in New York City presented the Urban Indigenous Arts & Culture Symposium performance of DON’T FEED THE INDIANS – A DIVINE COMEDY PAGEANT livestreaming from CultureHub on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday November 14.

Murielle Borst Tarrant spoke about creating this pieces as a guest of TheatreNow (Season Three). Here is the transcript of our discussion: Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant.

WATCH THE VIDEO HERE: http://youtu.be/41Vj9u0Ig-M



Today at 1pm – DON’T FEED THE INDIANS by Murielle Borst Tarrant

La MaMa Presents Urban Indigenous Arts & Culture Symposium

“Don’t Feed the Indians” –

A Divine Comedy Pageant

Friday November 14, 2014 at 1:00 PM

To see this performance Live on your computer

CLICK HERE: www.culturehub.org/live

Please stay tuned afterward with a discussion with the cast

Watch out when Indian show business meets the Doctrine of Discovery. A raucous play and political satire loosely based on Dante’s Inferno. A comedic look at the negative marginalization of Indigenous Peoples and the appropriation of Indigenous cultural and intellectual property. See what happens when the Indians push back.

Directed and written by:

Murielle Borst-Tarrant (Kuna/Rappahannock), Director “Safe Harbors”

Indigenous Arts/Theater Collective at La MaMa Theatre.

Cast:

Danielle Soames
(Mohawk Kahnawake)

Nic Billey
(Choctaw, Creek, Delaware)

Elizabeth Rolston
(Cherokee, Chippewa)

Murielle Borst-Tarrant
(Kuna Rappahanock)

Henu Josephine Tarrant
(Kuna, Rappahanock, Hopi, Hochunk)

Kevin Tarrant
(Hopi, Hochunk)

Crew:

Choreographer – Nic Billey

Musical Design- Branden Tubby (Choctaw )

Scribe and Production Consultant- Timothy Dorsey

Musical Director- Kevin Tarrant

Costume/set design- Maggie Rice (Pawnee)

Piano and Historical Musical Design- Elizabeth Thunder Bird Haile (Shinnecock) and The Shinnecock Nation Cultural Center and Museum

Production Apprentice- Kimberly Terrance (Mohawk Akwesasne)

Additional Writings:

Danielle Soames

Nic Billey

Henu Josephine Tarrant

Elizabeth Rolston

Tonya Gonnella Frichner based on her preliminary report on the Doctrine of Discovery

La MaMa Theatre in collaboration with the Weesageechak Begins to Dance Festival, Native Earth Performing Arts and First Peoples Fund and the Ford Foundation through a grant from the FPF Our Nations Spaces Program.



TheatreNow! Interview with Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow! is a podcast series featuring some of the most exciting women artists working in the theatre today. Anne Hamilton is the producer and host. You may listen to the podcasts and read the transcripts at http://hamiltondramaturgystheatrenow.com

 Murielle Borst Tarrant

Hamilton Dramaturgy’s TheatreNow!

Interview with Murielle Borst Tarrant

Playwright, Director and Producer

(Season 3, Episode 5, Recorded July 12, 2012)

Hamilton Dramaturgy’s TheatreNow! Interview with Murielle Borst Tarrant

Anne Hamilton: Welcome to Hamilton Dramaturgy’s TheatreNow! This is a podcast series featuring some of the most exciting female artists working in the theatre today. I’m your host, Anne Hamilton. Today our guest is Murielle Borst Tarrant.

Murielle is a member of the Kuna and Rappahannock Nations. She is an author, playwright, director, producer, cultural artist, educator, and human rights activist. She comes from a long line of cultural activism with her family’s theater company, the world famous Spiderwoman Theater, located in New York City. For four years she served as the Special Assistant and liaison to Tonya Gonnella Frichner, the North American Regional representative to the United Nations Permanent Forum on Indigenous Issues. Finally, she is the director of “Safe Harbors” Indigenous Arts/Theatre Collective at La Mama ETC.

Hamilton Dramaturgy’s TheatreNow! is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Hamilton Dramaturgy’s TheatreNow! must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

 



TheatreNow! Season Four – Dramaturgs and Critics

The TheatreNow! Archive is currently a work-in-progress and will feature all the Season Three’s podcasts in the upcoming month.

2014 has been a building year. We have expanded our staff with the addition of Danica Rodriguez and Thais Flaitt Giannoccaro. Our global outreach has increased with representatives in the US, UK, Asia, and South America, and we have plans to translate our interviews into Korean and Portuguese. We also have a Young Adult Representative to help us build more interest in the theatre profession, especially among young women.

Season Four will be dedicated to creating an oral history of six leading dramaturgs and theatre critics active on the American scene, with specialties in new play development, new musical development, dance, opera, women’s studies, journalism, and cultural criticism . In the interviews, I will explore questions such as: How can we take advantage of advances in technology to push the dramaturgical profession forward? How have others done so? Do leading practitioners in the arts of dramaturgy and theatre criticism have anything in common? What is it? How can I expand my own practice to become an independent curator, journalist and advocate in a meaningful way? How can I advance the gender parity movement among theatre artists? How can I add content to the current movement for archiving theatre artists’ and companies’ works? How can I help the public to meet and recognize female theatrical experts across all disciplines? And, How can I use my dramaturgical skills and access to help young adults become interested in pursuing any of the theatrical professions?

Staff List

Anne Hamilton, Producer and Host
Otto Bost, Sound Designer
Cate Cammarata, US Representative
Walter Byongsok Chon, Asia Representative
Natalie Pandya, UK Representative
Danica Rodriguez, Young Adult Representative
Thais Flaitt Giannoccaro, South America Representative
Nancy Ford, Composer, TheatreNow! Theme
Helaine Gawlica, Digital Archivist and Website Creator

http://hamiltondramaturgystheatrenow.com

https://soundcloud.com/theatrenow-1

 

 



THE DRAMATIST Magazine – Quiara Alegria Hudes on Subject

THE DRAMATIST - Quiara Alegria Hudes on Subject

Congratulations to Hamilton Dramaturgy’s TheatreNow!’s Inaugural Podcast guest Quiara Alegria Hudes. She leads off the cover story of this month’s THE DRAMATIST magazine with an article on “Subject”.



SUNSET BABY Extended at Labrynth Theater Company

Congratulations to TheatreNow! guest Kamilah Forbes, who directed SUNSET BABY in New York City. It has been extended! Kamilah was a guest in Season Two, and has a hit with Dominique Morisseau’s new play. Brava!

http://labtheater.org/sunset-baby/

#theatrenow!

Sunset-Baby by Dominique Morisseau



Yvette Heyliger on the Artist as Activist

Here is a new HowlRound article by TheatreNow! Season One guest Yvette Heyliger.

Excerpt: “Artists are the gate keepers of truth. We are civilization’s radical voice.” so said singer, actor, social activist, lawyer and athlete, the great Paul Robeson. Robeson may not have been the first, but he was certainly one of the most outspoken citizen-artists of his day, choosing to set aside his theatrical career to become politically involved—fighting for the causes he believed in, even though it meant his own financial ruin.

What makes a human being, against his own “best interests,” fight for those less fortunate, for the voiceless and the downtrodden?

– See more at: http://howlround.com/artist-as-activist-civilization%E2%80%99s-radical-voice#sthash.ijwCZ3oF.dpuf